The Good Life.

Thirty years ago, I moved here. Not to Riverwind, but to this mountain. A single mom with a three year old kid and two big dogs. I knew nothing about living like this. Didn’t know how to bake bread, grow a garden, fix a pipe, saddle a horse. I had patient and generous teachers. Phil, Honey, Becky, G&S, Pat, Paul, John, Bud, and so many others, to whom I bow in gratitude.

The one who taught me to make that bread, as well as a hundred other essential skills like milk a goat, make cheese and strawberry jam, also made sure I read. A former librarian, and like me, grew up in and around NYC, Emmy believed in books, and passing them on. Books as not only a source of pleasure and relaxation, as reading most certainly is, but a source of potential wisdom. You can learn a lot from books. As a start. Then get out there and do it. If it’s just stuck in your head, you may be smart, but you’re a long ways away from being wise. You gotta get out there and live it.

The Good Life by Helen and Scott Nearing was one of her favorites. Remember how inspired so many of us were by the iconic DIY couple and the self-sufficient and sustainable life they built and shared? Their intentionally simple life was formulated to be balanced and full. Full, but not full of clutter, which is the common way. Consumerism, bigger and always hoping for something better, more more more, and the never fulfilled hungry ghost. Rather, the Nearings showed us that full could be full of values, intentions, and ideals they were willing to work towards. They reminded many of us that, well, actually, less may be more.

My neighbors got me thinking about this again because they live a similar life. They make it look easy. I know better than that.

How full is too full?

Looking beyond, there’s a world filled with people rushing around every day, finding identity and meaning in habitual full-ness and busy-ness, then stressing about fitting in time to relax. Ever searching for more-more-more. Forgetting about what is found in less. Seeking fulfillment and security in things like benefit packages, paid vacations, travel to exotic places, cocktail hour and dinner out, the ease of flipping a switch to power on, having your nails done, stopping to buy a Starbucks coffee, and scheduling plenty of time for Netflix.

There’s nothing wrong with any of those, or all of those, but they are not me. I’ll stick with gratitude for simple things. Tending to land, animals, art, creativity and contribution.

With Bob away more than here this season, I have been working double time, doing stuff he usually does, like tractor work, and irrigating. Even the dishes. But I got it.

Long days. Full days. That’s what summer is.

Full. At times, my cup runs over. Then I try to remember, sometime near the end of a hot day, to bathe in the river, lay in the sand, listen to the rush of the water for just a moment or two.

There are the hundred-and-one one-more-things that this simple life requires. (Definitely one of those, “if you know, you know” things, as those of us who do know are so often asked, “What do you do?” To which we don’t responds.)  Social media is not one of them. And though my absence online leaves me at times feeling somehow out of it, it is one more thing I can not do.

Allowing me more time for this:

Being happy.

I think happiness is built by this: Acceptance, appreciation, action, awe.

Happiness includes love. Meaning. Contributing and being a good person. Doing things for others. I am not happy when I’m a bitch.

Shedding the skin of the Mean Girl, nurtured from a lifetime of believing I had to be; instead allowing myself to be vulnerable and open and real, maybe even soft, something that has come on with age. All in all, one of the big lessons learned on A Long Quiet Ride. Something worked.

There is not a day that passes that I do not count my blessings now.

I ended up with more than I ever dreamed of. Thing is, I haven’t stopped dreaming.

Though I love where I am, I am not attached. I question how a person can be. I am not where I am, but who I am. Today. Because tomorrow is always a new day. So allow it, appreciate it, accept, evolve.

In the past thirty years, I moved on, returned, and will move on again. I did not have the privilege to remain in one place. Not everyone is born where they belong, nor finds the place that holds them. On the other hand, not all who wander are lost, you know. Some of us search. Or maybe we flow like a mountain stream, blow like spring winds. Not better nor worse, just what it is. A life rich and full and wild. And if you think I’d trade mine in… well, I think you know me better than that.

Until next time,

With love, always love,

It’s what I do.

Today it rains. It is like an exhale, gentle, letting out, letting go. A soft, easy rain, like tears, not from grief, just from a heavy burden. And sometimes you simply need to cry, to stop holding it in. The sky understands, offering just enough to dampen my dirty jeans, but not darken the earth into which I dig with calloused hands.

Yes, I am still writing. Still. I am ready to be done with this book, but the words are not there yet. Finish what you start. I do. Slowly.

I am not fast, can’t sit still for long, have other things that call me like irrigating fields, growing food, baking bread and working with the horses.

Distractions. Balance. Completing the bigger picture that paints my world.

That bigger picture. I look around, and at my empty hands, wondering what I have to contribute, to give, from this simple quiet life I live, and see that in my palms, I hold wonder.

Words. Giving. Receiving. Listening. Sharing. Holding space sincerely.

Is this enough?

Are we enough?

The simple life is never as easy as we make it look.

I live along the river yet have yet to take time to swim. Things don’t grow looking like this.

“What do you DO?” they ask, a question we smile at, rather than respond to.

If you know, you know…

Some days its more complicated than I can handle, at least, that is how it feels right now, weighing heavy, that burden, those tears, when what I want is to feel light and expansive and free.

Life as a worker bee.

Entangled with the soul of a poet.

And with the sometimes turbulent tossing of two sides of the coin that is me, I look around and within and still see I wouldn’t want to trade my life for anyone’s. So if it means I’m slower, I’m slower.

And the other side of my coin says: yes but… I am ready to finish what I started. It is time.

And so I hole up, bring my gaze back from the river and garden and horses, and with a dog on each side of the stool on which I perch to write, I dive in. Leaping. Weaving my net along the way.

And I remind myself as I braid my life, of the expansiveness of creativity. To have the courage to choose that which over-rides the constriction and restriction of fear, insecurity and anxiety. Creativity by its very nature is expansive, inclusive. Rather than shutting down and out, it opens to and of. Creativity is the radical act of awakening imagination and inspiration.

Create, my friends. Create. Maybe it will be beautiful.

Until next time,

With love, always love,

Next!

Sharing some deep thoughts, as I’m known to do – and a slew of photos as I’ve not taken the time to check in for a couple weeks. Three years since getting my first phone and setting up this Facebook account, and I can’t say I’m really rocking it. Nor especially keen on it yet.

The last few weeks found me polishing up the proposal for A Long Quiet Ride. Now it’s time to kick it out of the nest and see if it can fly… time for magic and prayers… while I move onward, back to burnishing the rest of the manuscript.

What’s next?

For now, I intend to have my cake and eat it too but I’ll explain what that means when I figure it out.

What’s next? I don’t mean what adventure. What move. What I’ve got planned. Or even what horse. If you’re curious, ask me. Though I don’t know if I have the answers.

What’s next? What I want to share is that deeper thing. A thing about life, or rather, stages of life.

How’s this for a stage?

I read recently that menopause is going from taboo to trendy, so hang in there while I bring it up. (Still feels like forbidden fruit to me, and maybe just as dangerous.)

What happens after you step out of the stage of life that was the transformation from The Mother to… The Matriarch? Or is it the Crone? Or is it something else entirely?

Call it what you will, it happens. Thank God. You do leave menopause behind. At some point you look around, with an unfamiliar sense of brilliant clarity, and realize you slipped out of the sticky skin the She Dragon had enwrapped you in.  

And then… who are you now?

That is a lot of what ALQR is about – trying to figure out who the hell I am and the how the hell I got here.

We go through stages of life like that – stages that shake us up like an Etch-a-Sketch, and when we’re done, the screen is clear and it’s time to draw ourselves anew.

Am I there yet?

Do we ever arrive?

Where I am at is where I want to be. But here and now is ever changing.

If in fact we do only have this one wild and precious life, I intend to make it very wild and very precious. So far so good.

What do I choose? Do we have to choose? Either way I win.

And yet, I wonder why at nearly sixty I still feel so far from… what is it? Grown up? Together?  Settled down? Mature – at least in the way that word held meaning when I was growing up?

Well, at my age I can make my own definition, thank you very much.

I’m not much of a practical, stable, sensible shoe sort of gal. I color outside the lines.

At the same time, I look forward to being the old wise one – when I get there. The crone being the stereotypical model of that woman. Long gray hair, deep wrinkles, gnarled fingers, and soul seeped in her eyes. I am getting there. But I am not there yet. I am not her yet.

In the meantime, where am I? Who am I? What I see when I look around makes me smile. This is good.

Perhaps it is another stage. Or is it the time in between? The ever living Bardo of transformation that life seems to be.

There’s more to many of us than maiden, mother, matriarch or crone. Simplified by the triple goddess moon like the tattoo inked on my shoulder at a shop in El Paso when I was working at a midwifery clinic, where helping women birth brought it all together with pain and bliss and blood.

Whatever it is, it’s a good place to be. A good stage of life. And sure as hell beats the last one.

We are left to create ourselves and define our lives, beyond the constricting parameters of labels and title and roles. Define ourselves. Be ourselves. Not based on others opinions, judgments, assumptions, or social norms. I’ve never been big on normal.

Why must we be defined and confined? Rather than simply step from one neat and tidy box to the next, get messy. Have fun. Play around with your life. Kick the cardboard, set your spirit free, and soar beautifully. That’s how we each can make the world a more beautiful place.

Have the courage to create. Your self. Your dreams. Your life. Your way.

Begin and watch the universe unroll before you, welcoming you to your true nature, your highest and best self, the best you can show up with and bring to this beautiful world.

Until next time,

With love, always love,

The view from outside the circle.

Sometimes it feels like you’re the only one out there, on the outside, looking in, and you wish you could be in there too.  In the circle. A part of it all. Accepted. Allowed. Included. Embraced.

But maybe that’s not where you belong. And you remind yourself it’s okay. And that you’re not the only one. There’s a lot of us satelliting society. Not quiet fitting in to the norm. Maybe that is the norm.

Remember, stars were born in darkness, creativity sparks in stillness, passion takes root in the void.  Some of us need silence. That’s the only way our souls can sing. Maybe being on the outside isn’t such a bad place after all.

Somewhere out there, beyond the circle. Apart.  In your own unique space. Loving the time, the place, the peace and calm, the beauty and space for the imagination to roam wild. And maybe that’s where the circle extends after all.

Since completing my Long Quiet Ride, several people have shared links to other folks who are doing or have done long rides. Seems like lots of folks out there are doing it. Maybe what I did and am writing about isn’t so special after all, though it sure felt huge at the time. And as I am deep in the throes of writing about it, it is not feeling any smaller.

Still it was a long, quiet ride. Quiet was a prevailing theme. Most of it was not shared. I couldn’t share it. First because I didn’t want to get in trouble for being where I was and going the way I went. Second because I chose to remain present, with my horses, where I was, with the people I was meeting – not distracted by a screen. But most importantly, it was not something to be shared at that time. It was an inner journey as much as an outer one. No, even more so. It was a pilgrimage more than an adventure. Something not meant to be shared until the trip is behind you and has settled into your weary bones and weathered skin and well-earned graying hair.  

It is tempting to compromise one’s trip for recognition and financial support – but that is a different trip.  I was encouraged to make it a TikTok challenge –  and though the idea of being “something” and “someone” tempts us all, truth is, dancing center stage is not my trip and so I bowed out. I think I’m one of those who dances like no one looking because I believe no one is. At least most of the time. Bob looked. And I’m glad he did and still does.

The story I’m writing about and will share with you soon is something I did for me – proving myself to myself. I’m  too old to still be trying to prove myself to others. At least, I should be over that. By now I should have learned to live without acceptance and approval from family, community, society – though I think we’re hard wired to want and even need those things. It’s survival. Fitting in. Being a part, not apart.

Some things we never outgrow.

Some of us never did fit in.

The outlaw, outcast, outliner, drawing outside the lines, living outside the circle.

It’s not what we want, but at some point, we accept who we are, and learn to revel in the freedom it brings.

Those of us outside the circle dance in the stars rather than with the stars.

What if there were no boundaries? Nothing to contain us, define us, confine us? What if it was all open space and we were all in it together?

Opening the circle.

We see the same moon.

We breathe the same air.

I am not separate from you.

I will not turn my back, close my eyes , close my heart.

May I forever be the curious child. Reveling in the sovereignty of days before assumptions, separations, road blocks and blinders closed my circle.

May I always be able to open a conversation, a harmonious song, a melody blending notes, a whole composition, as a holy act. Dare to dream of a life exempt of boundaries and barbed wire, locked gates and closed hearts.

Instead, having the courage to craft an open circle big, broad, wild and free.

Until next time,

With love, always love,

Unfurling.

I’m trying to keep this short and sweet. But lo and behold, you know my tendency leans towards long and deep. And often a little dark.

It’s a section I’m working on from A Long Quiet Ride.

Something I was going through then.

The motivation for that journey. Kinda like the cattle prod or kick in the butt that drove me down the road.

I didn’t really understand this then.

It’s hard to have clarity when we’re fully fixated on just trying to stay afloat.

It takes time, safety and love to look back and figure thing out.

And then… write about them.

Alas today in the still dark morning at the kitchen table by candle light, the pen poured red across the journal page.

A few thoughts emerged from that mess. Bare with me as I untangle the fragile, sticky thread.

I’m at that threshold, facing transformation.

It is the day that breaks me down. One of them. There are a few.

Tomorrow I will mop up the pieces. I get a lot of practice with that part, too.

In the meanwhile, I’m standing there, vulnerable, exposed, naked if you will. Torn open from the soul.

Wondering how many more layers of the onion must I peel. What else can I release? What else will I lose?

I want someone to peel the skin from my snake, crack the shell open and let my chick emerge. But we both know part of the process is painful.

If every day we die, some days more than others, than every day we can be reborn.

Birth isn’t easy. It’s messy, you know.

Transformation can be painful.

Leap, the story goes.

The first step I took toward facing who I was becoming, was almost my last.

Like Alice, I fell, and fell, and fell.

Finally finding myself on solid ground, barefoot I stepped onto the frigid deck in the tenebrous storm.

The only light was something still within me, scarcely flickering.

And then the wind stirred the spark, barely bringing it to flame.

And slowly, something within me raged. Transformation ignited.

Rising, somewhat slow and feeble. Nothing powerful and profound like the Phoenix I would have liked to be.

More like a delicate butterfly recently emerged from the sticky cocoon

Slowly unfurling damp delicate wings

Waiting for first light

To see what the net she wove, her chrysalis, did.

~

The birthing of the Crone.

Until next time,

With love, always love,

Let it bleed.

This old photo popped up online recently. Always liked it. (Thank you, Bob, for taking it probably 18 years ago.) And always loved that horse. Quatro. I used to call him my Marlon Brando. My bad boy. In a good way. He could step out like no one’s business. And flip around faster than a flapjack if I got the pack line under his tail.

He is long gone. It happens. We grow. We age. We die. Our horses even faster than us. Our dogs even faster than horses. We hold them all dear in that box found beside our heart, maybe a part of our heart. A secret place no one knows but you. Mine is full. So full. Too full it feels at times as I cram more pain, more heart ache, more loss and regrets, and always more love, compressed with time and tears and a tinge of bliss.

I imagine mine to be a small metal box, with lock and key, perchance like an old diary I had as a young girl back in the 70s into which I poured out my pre-teen grief. That diary turned out to be no more than cardboard and was easily torn open one day in fifth grade by Paul Procnoun whose desk was right behind mine. I still remember his name. A wanna-be boyfriend. It didn’t charm me. What do we know about love at age ten beyond if you are loved, or loved not enough? This was his way of expressing a crush on me.

I was crushed.

It ripped open a part of me.

Sharing is still hard to do.

I’m sitting here trying to write A Long Quiet Ride. This morning started my third re-write. Is turned out to be harder than I planned (most things are), and taking far longer (most things do).

Sharing.

How do I share what I saw out there? What I did? Who I met? How I felt? Stories of the kindness of strangers. And the blindness. And the often unorthodox way we made our way through.

Stories.

That is all I have to share. And yet it frightens me at times to do so. Like ripping open your head, your heart, the past. It hurts in a place I cannot see but from which I cannot tear myself free.

As Ernest Hemingway may or may not have said: “There is nothing to writing. All you do is sit down at a typewriter and bleed.”

I am bleeding.

And for those of you who are writers, you’ll understand this: My darlings are bleeding too.* I am killing them. One by one. They disappear from pages, screaming with a light bright blue highlight on their way out. Vanishing into a sky of white screen.  

So begins re-write number three, in a pool of blue blood as mine pours forth forever fiery red.

Until next time,

With love, always love,

* Thank you, Marc, for the reminder…

A teaser.

I guess this is called a teaser. From “A Long Quiet Ride”… words in the works.

I lay in bed, sheets warm and worn, pacified by gentle wind from open bedroom windows. I’m listening to the song of the river and my husband’s gentle breath. He lays beside me, still asleep, limbs still intertwined, back to belly, belly to back. My nose in his neck taking in his familiar scent of sawdust and hay. The lullaby of crickets and tree frogs slowly fades into the chatter of early awakening birds, wrens and robins, phoebes and flickers, as the sky begins to take on color with fomenting light, and the honey fragrance of flowering madrone find its way in moving air through yawning windows.

Here I am. Sleepless beside my sleeping man. Listening to white noise drifting up through morning’s breath. Serenaded by the ever background murmur of flowing water over anchored rocks, reverberating with the promise of perpetuity.


Somewhere already out there, my thoughts ramble though my body remains still, savoring the familiar. This bed. The wind. The warmth. The fragrance. The old dog, the young dog, both in their beds on each side of ours. Even the view of familiar curves like broad, ample hips as are the hills peering between waving oak leaves out the open window. I hold a little tighter to Bob and he lets out a dreamy sigh.

Ah, the carrot that lures the horse back to the barn. And the rider.

Until next time,

With love, always love,

January leaves.

With a wooden palette strapped onto the forks of the tractor, Bob makes a platform upon which to stand for washing the high windows overlooking the river. Hillbilly ingenuity. Not OSHA approved. Tends to be how we do things. And we get them done. I think of all the years we ran the guest ranch business and weekly window washing of these huge picture windows on the south sides of several rental cabins was part of the Saturday morning workout. On second thought, I’d rather not think about that.

Now the windows sparkle and the river course shines luminous, unencumbered. A heron perched in a lofty ponderosa just up and to the right of Bob’s head as we linger at the breakfast table catches my eye. We’re not in a rush to get back out there. It’s cold. Takes a while for subtle winter sun to do its thing. The heron, we notice, is waiting too. He’s up there preening as the sun clears the mountain to the east. Even as I open and close the window between us to take his picture, he’s going no where in a hurry.

Later I sit at my writing table, and with newly clean windows front and center, the view is distracting. Long shadows seemingly dancing through fir trees across frosty ground on the shady path. The radiance of the river. The intrigue of gnarled branches and swollen tips on ancient oaks. Birds. Don’t get me started on them.

Keep your head down, I tell myself, and get back to work. We’re getting there. Writing is slow. Hard some days. Some days I just wish it were done. Not unlike the journey I’m writing about. Well, not quite that challenging. Though it is somewhat amusing that writing about an adventure takes longer than taking the adventure. What’s with that?

It could be easy. There’s an easier way. There’s this tab I could click on my computer screen. It says, “help me write button.” Really. What’s with that? I’m not going to find out what it does, how it works, but even seeing it freaks me out. As in, is this the future of writing? Is this the future of creating? Of art? I don’t like it. I’m not going there. It took me until two and half years ago before I even got a phone. I’m still cursing it, but it’s a mighty powerful tool. Will I one day say the same of AI?

Yet I can’t help but cringe. Can computers be programmed to create? To feel? What about imagination? Art is an expression of the human experience. It is emotive. Are we programming computers to try to do this for us? To express passion and pain, grief and joy, fear and comfort, loneliness and belonging? All of these are shared through art. Can we resort to machines for conveying these universal emotions, this part of the human experience, or the experience we once called human? The uniqueness and best of life lies in our capacity to feel. Feelings are the delicate threads that hold humanity together. They are tested severely right now in real life. Hope lies in allowing our hearts to sense these threads that hold us, weave us all together. Art in all its shapes and forms helps us convey those threads. Seems to me, what we need is more depth and clarity to the real deal, not a quick cop out. We need to both feel deeply and see the humanity in everyone. That is where beauty lies, even in diversity and differences. Or maybe even because of those things.

This is the creative process. Creativity, expressed through writing, painting, music, dance, any of the arts, draws humanity together with these fine threads consciously woven of mystery, wonder and awe. This is a universal truth.

What happens if we take these cords away? Is that where discord arises? Can computers feel? Can they be compassionate? At what point will we draw the line of progress?

I wonder how far from the consciousness of emotions will we wander, and what the threat to their expressions entail. How far we may go? How far from creating, from feeling, from compassion, from the human experience? When will know the limits, know when we are going too far?

Until next time,

With love, always love,

On rain and writing.

If the two were together, black ink would be smeared across the page, some Rorschach picture divulging my secret psyche. Not, of course, to determine what the image reveals, but rather what I choose to see.

Alas, they remain apart.

And this is what I see.

Out there, outside fragile weather worn glass separating me from the elements and allowing continual comfort from the wood stove as long as I remember to stoke it, rain continues.

Everything is drenched – beyond saturation – running off in drips, smears, pools and rivulets. Streams pour around fence posts and tree stumps; puddles amass in deep imprints left behind by horse hooves; the meadow is a marsh.

Pounding rain on metal roof deadens the roar of the river. Puddles gather on the deck, the driveway, the pasture.

The chickens seek refuge in the dog house while dogs do the same by the wood stove, soggy obstacles to overcome on the living room rug.

Inside rain gear hangs dripping by the back door; boots still damp when you slip your sock feet into them. Towels used on soggy dogs never seem to dry, while splatters from their shaking fur leaves white cupboards speckled brown.

The horses are pissy, flinging their heads, telling me to turn it off and I wish I could. Days like this I wish they could come lay by the woodstove, too. Instead, mid day they stand under the roof where they spent the night, wishing they were somewhere else. We never stop wishing. Because, you know, we never forget what it feels like to lay in soft lush grass while the sun enwraps us in its ethereal embrace

In the garden, roses finally quit trying to bloom. What a run they had this year, clear through to the last of the year. And yet as I walked through the rows earlier today, trying to be gentle in my bulky muck boots in search of some collards or kale for tonight’s stew, the humble, hearty calendula stood brightly defiant, refusing to succumb to battering rains, continuing to share her sunny smile. The yellow and orange seem out of place, adding to her gentle resistance.

For now, I sit at the table in front of the window that looks over the ghostly glow of the computer screen and scribbled open notebook, down toward the swollen river, through saturated moss and lichen growing like eerie bedclothes on every leaf-bare branch of gnarly oaks sprawling the distance between the river and me.

The stillness of the keyboard counters the constant motion of the river.

Some days my fingers do not dance. As if they wonder why, what’s the point, when what I want to do is give. But I look at the blue screen between the window and me, and wonder if it’s worthy.

Sharing the story of something in the past takes me there. Sometimes I don’t want to go back there. I don’t want to be there. It was hard, scary, lonely. It was also big, bright, and beautiful; expansive in view and of soul. It brought me back to life. Maybe to the point of living more than I ever had before.

There was so much I didn’t share. There was so much I couldn’t share.

I am struggling to share that story now. The intensity, the wildness, the hugeness I experienced out there. The wild side I could not, would not share as I was riding (or walking or being shuttled) through it. Some things need time to ripen, to age, to roll around in the mouth to find their full, rich flavor. Or to sit on the shelf and collect dust for a while, which doesn’t hurt a thing.

My attention easily drifts out the window. I get dizzy watching the river rage.

Stop it. Get up. Away from the table where I sit for too long. Get on the ever damp rain gear and muck boots and get out. Out. Out there, in it.

Let the moist air plump and swell me and get the dogs dense coats soaked clear through to their skin again as we laugh at our folly and splash through puddles the size of ponds and marvel at the beauty of watching bountiful drops of water fall from overhanging branches and do their circle dance on the surface.

A moment later, the dogs stir up a heron from the salt pond, rising silent, arching upward as a graceful, majestic bow. Somehow primitive, ancient, blue-gray against tan-brown winter woods. I hold my breath and feel goose bumps rising beneath all these impermeable layers separating me from the elements.

In the blatant and natural simplicity surrounding me, I choose to watch herons rise and rain fall and puddles shimmer as a waving mirror. I choose to listen to ravens calling and the river roaring and rain beating down on the roof overhead. I choose these simple things over and above more complex things like news feeds and programs, with AI masking the mystery and magic that is really there, right in front of us, if only we take the time to look, to listen, to feel.

I would rather stand defiant like unpretentious calendula.

I would rather rise up, lighten up, and shine.

Even through this leaden sky that might otherwise try to hold me down.

Until next time,

With love, always love,

Out there.

Open the door and dive in, out there.

Into morning fog so thick it leaves sheen of droplets covering your heavy coat and the dogs’ coarse fur.

Turn to close the door to the comfort of the woodstove and Christmas lights and a still half filled cup of coffee behind you.

Suddenly engulfed in wet whitewashed morning air, you feel as if you’re swimming, trying to stay afloat on solid ground, your head above water, somehow struggling to breathe.

Step out into it, shrouded as if in a daze, a dream, an altered state, as the season spirals around you like sufi whirling, almost a madness to dance the year to an end. Heading into new moon, as even the night sky darkens before solstice this year. A powerful dark presence stirring within, feeling somehow more so than most years, or is this how you selectively forget each year?

And all around you, defused energy washed over in morning fog and sparkling frost as if waking from a dream while the sun finally clears the hill to the east and you watch horses stand like sundials, flat side to the sun; a heron sitting stoic in the tree in need of the warmth it brings.

And the day begins, beautifully.

Back in where the wood stove hums and Christmas lights twinkle and that coffee is still warm in my favorite cup.

And my mind is haunted by places I have been and am reliving in words alone.

My stomach bunches up in a twisted knot as I write along with where we rode along.

It’s scary to tell you what I did, how it happened.

But scarier, of course, having done it.

A Long Quiet Ride.

Tangled in the isolation of writing, as it was in the isolation of riding.

Writing about it takes me there and my breathing becomes tight and shallow; nostrils flare, jaw tightens, teeth clench and my heart feels like it weighs as much as the saddle I hoisted up on the horse each day.

It was the loneliness I have ever been. I don’t want to be alone now. I want to take you with me, sharing the smell of damp leather, fresh sweat, horse hair when I brush them each morning or better yet at the end of day as I slip off the damp saddle blanket that will be the pad upon which I sleep that night, and the horses heads are down in some place lush with field grass, tangled barbed wire off to the side, and the primordial call between a pair of nesting sand hill cranes like a beacon, leading the way, for where they nest, we always find tall greenery and fresh water and a safe place for the horses, and me.

And just out of reach, just beyond the thread of searching for a sense of belonging, that ever and continuous theme for me as it is for some many of us, I thought that journey was going to be about inner strength and independence. Prove to myself (and everyone else) that I was strong and capable. Beyond badass.

Found out I wasn’t and don’t need to be.

See, I set out expecting some solo trial for me and my horses out on the open road.

No people, please.

People scared me more than all the bears, bulls and bugs I slept beside; barbed wire gates and snow banks that stopped me cold in my tracks, as well as maps and apps I never could figure out.  

I just wanted to be alone.

And then I was, and no longer wanted to be.

Funny thing is, people turned out to be what the trip was about.

I’ve had a lifetime trying to perfect the art of being the outcast, outlaw, outsider, off gridder, misfit, black sheep, stray cat and/or rebel without a cause. I daresay I’ve done rather well.

People were not my thing.

That journey turned me around.

Rather than it be an adventure based on independence, something I’d always known, I had to learn about interdependence. That was new to me. And it was force fed. Trial by fire, thrown under the bus, sink or swim – call it what you will.

This is what it taught me.

People are good.

Yes, you heard me right.

Never thought I’d say that.

If you know me at all, you never thought I’d say that too.

It’s hard to relive it. Though of course not as hard as it was to do it.

But now the challenge is in sharing it. Writing the real story.

And my fears are no longer about finding good grass, fresh water and a safe place to rest my horses.

It’s finding the right words. It’s wondering if I can write this story well.

Humbly I bow my head as my fingers get work.

No longer gripping well worn reins, lifting packs or pulling cinches tight. Now dancing freely across the keyboard, watching stories come to life.

Looking within for a different kind of strength.

The strength to share.

May it be a good story.

And may I share it well.

Until next time,

With love, always love,