Stripped. Bare.

Lit from a window with dark and drama as if a Vermeer farm house woman painted on old canvas, weathered and worn with time. Where is my pitcher, my cup, a book held just so, or an open letter draped in my perfectly poised hand?

Instead, I loom mighty over a laptop, screen cold blue and buzzing, surreal, unimaginable back in baroque days. Both the computer and me.

The window is open. Damp air thick, smelling of wood smoke wafting from another clean up fire Bob is burning. And the sound of roosters competing in a crowing match, one on the river side, one by the garden. Diligent guards, knowing the hawks are close by. Allowing their ladies to peck and scratch through the fresh layer of damp decay.

And always, over and through it all, here has an ever present thrum of river. The sound a ubiquitous murmur, something that’s always there though so familiar you don’t always hear. Similar to that of traffic I was once used to in other days and feeling far away lands. This is what I hear, here and now.

A gray day. Ancient oaks with spindly outstretched arms like old woman’s fingers, gnarled and swollen from too many years gripping the shovel, the hoe, the broom, the wooden spoon; stand silent over ground matted with leaves still a robust brown covering ever green grass and rich black earth.

The writing desk, before which I’m perched, and upon which my lap top resides, this week brings me out beyond this familiar view to strange places on the open road where I once was. It’s that vibrant green and lush of late spring. The sound is of horses walking in unison, clip clop on some unnamed logging road or alongside a foreboding highway where cars and trucks zip by without meeting eyes or noticing the oddity of a woman riding along miles and miles of barbed wire fences, locked gates and “no trespassing” signs, still somewhere in the north of California.

A Long Quiet Ride, coming back to life in words. It’s not always easy to share. Of course it was harder to do. How does one share what happened out there? How do I bring you with me?

Conserving my words as I sit and stare out the window above my desk.

Wanting them to flow forth for the work at hand.

The book that’s stirring, simmering and working its way out of me now.

Yet poems are what mess around in my mind.

And what can a gal do but play with them, with a mischievous smile and twinkling, rolling gray eyes?

Evening now, leaning back with bent knees.

The familiar feel of warm worn leather holding the bones of my back.

I’m on one side of the sofa.

You are on the other.

Your feet are bare, broad, firm and warm.

While mine look half your size, wrapped in striped wool socks, holes in the toes worn through from wet leather boots left by the door beneath a dripping slicker.

Feet entangled, intertwined. An easy touch. Mindless and comforting as toes play with one another, finding familiar places to be.

While rain pounds down outside onto saturated deck shiny with water coating each old wood board, shimmering alive with pounding rain. And inside the old wood cook stove crackles and casts an amber glow into the half lit room smelling of the last of this seasons roses, rubbed down dogs drying by the fire, and chicken soup simmering on the stove.

We’re quiet.

You are softly spoken.

Teaching me to conserve my words.

A challenge for this rambling mind.

Lost in thought as silent phrases spill across pages of the notebook pressed against my thighs.

As I look up to meet your eyes, looking into, through you and back into me.

Entangled.

With words.

Sitting alone with my muse.

This weekend was rich with poems, poets and a coffee buzz. It’s hard not to succumb to the words that dance in my mind and twirl along my tongue as I read them aloud.

But now is time for story-telling.

So back to work I go.

Until next time,

With love, always love,


Discover more from Gin Getz

Subscribe to get the latest posts sent to your email.

2 thoughts on “Stripped. Bare.

  1. I recently made a Zoom presentation on “Writing a Memoir” to a writer’s group. One of the points I made was about listening to the story in your mind you are about to tell before getting bogged down in the detail. It’s a subtle way of remembering events. Stories are the way we remember, one story leading to another and the whole larger story. Dick Sedequist

    Listening

    “If you are stuck for words, then it is time to listen to the story in your mind. If you are not ready to write, don’t be discouraged, because a second goal is to get you enthused about listening, which is the most important part of communication. Listening is the hardest thing to do. If you are listening and thinking at the same time about what you are going to say next, you will probably miss half the conversation and the message. I used to take notes when I attended a lecture. I was so busy keeping up with my notes that I missed the important things, the important message, the tone of the delivery, and the passion in the words. So, sit back, close your eyes. Listen. Let the words paint a picture in your mind like listening to the old-time radio plays. As a child, my imagination soared with the stories I heard in my darkened bedroom. I didn’t need the thousand images and sounds per minute coming at me from the TV screen and blaring from the speakers. I hung on every word. My imagination painted the scenery. It was slow motion. The half hour program ended too soon. I was ready for the next installment. I was hooked. And I didn’t take notes. Your mind is your radio. Listen to the story in your mind you hear and want to tell. Listening is essential to the writing process. That is what you are going to write.

  2. Pingback: No Good Deed – Fiction by Aidin Lee

Thank you for joining me here. I sincerely appreciate hearing from you, and having the opportunity to connect. Please share your comments below.