
Seeing clearly.
Finally, sunshine. Things should dry out just in time for Bob’s return so we can get back at it. Milling the next load of boards and beams. We guessed the last load to be at eight thousand pounds, but when he drove onto the scales, it was over ten. Probably twenty more to go. Houses are heavy.

So about that sunshine…
The land, the animals, the garden and me… all seem to be emanating this collective exhale. (I think I hear you too.) Yes, this generous rain is something to be grateful for. But feeling the sun on our faces and watching puddles dry out and finally taking blankets off the horses?
Yes. (said slowly with a soothing exhale)
With Bob on the road heading home (yes, this is still home), I’ve been grateful for the break in the rain to get caught up in the garden, knowing that side of work gets back burner on milling days.
Funny how easy it is to lose yourself in there. Not because it’s wild and lush and abundant with colors and fragrance on overdrive as it tends to get late summer. In fact, early spring is neat and tidy and orderly with seedlings and transplants all lined up like little soldiers. Yet when I’m working in there, time stands still – freezes – or disappears.

After this spell (or was it a season?) of drenched and heavy, today the air feels fresh and light. Maybe even a little sparkling, filled with the intoxicating honey fragrance of madrone beginning to bloom. Suddenly trillium grace the hill below the barn, and in the shadows of tall timber, fairy slippers shyly rouse.

Wild beast within
no longer
licks her wounds.
Now she runs her tongue
along unmarred wet wings,
drying them before
she flies.

You know how clear the air is after a good rain? It’s as if the sky is cleaned, as is every branch, stone and blade of grass.
“Like looking at life with the eyes of a babe, where everything is fresh and clear and bright.” That’s what a friend of Bob told him when he was going in to have a cataract removed last month. Can’t say I remember what things looked like when I was a baby, but I get what he was saying. I see it…
And that’s what I’m seeing today.

A lot.
And everything I look at seems especially crisp and clear and vibrant.
I didn’t get my eyes fixed, but I did get this.
A new lens. A new-to-me camera lens for my old faithful SLR camera. (Thanks, Dad!) I hadn’t used the big boy for a couple years. First of all because the old lens crapped out and lenses aren’t cheap but I am. Second, because two years ago this month, I got my first phone. Yes, my first one. On principle, I wanted to refrain forever, but I didn’t want to take the big beast around my neck on my Long Quiet Ride. Though it had made many miles around my neck in the saddle over the years, the elements and endurance of that trip was more than the camera – or my neck – would likely have weathered.
Above and beyond being a handy pocket size camera, the phone ended up providing me with countless other tools, from voice recorder to map apps and occasionally (in fact, rarely!) cell phone service. Though I learned to take pictures with the phone (still seems strange to call it that), it never felt the same for me as the real deal. A real camera.
It’s going to take me a while to get in the groove, but I’m going to have fun getting there.

Getting behind the big lens again was oddly awkward at first. It’s heavy. Cumbersome. A big deal compared to that little flat thing that slides into the pocket of my work pants.
Yet something about having the weight of the camera in my hands, taking the time to actually stop, peering through the lens, focusing, holding my breath and click… yes, this feels good.
I’m seeing again. Really seeing. Deeply. Closely. Intimately.
And what I see is beautiful.

For me, there’s something so mindless about taking photos with a “phone.” And when you’ve got a lot else going on, mindless is okay. But the big boy, the real camera, is kind of mindful. You are present. Focusing on what’s before you. It slows you down. Slows your movement, your attention, your breathing, maybe even your heart rate. I swear it even slows your monkey mind.
Behind the big lens, you become more keenly aware of your environment. You look around more. Searching for subjects. Moving closer. Bending low. Leaning in.
Depending on the subject, you alternate between honing your attention (say, the variegated greens of the trillium leaf) to widening your gaze (noticing our little bit of paradise along the river below the long ridge of South Fork Mountain).
Move in, shift your weight, look closer still, then hold your breath, pause, press… and exhale.


Seeing.
Same thing everyday.
Look around.
Same place. Same view. Same meadow and garden and mountain.
Ah, but look closer.
Can’t you see those ever changing subtleties: sharp shadows that dull as summer forges forward, swelling tips of expansive oaks as leaves tease to open, a sensuous curve of a distant hill swathed in evening light. Electric green grass after a rain. Light. Seasons. Birds. Motion. Clouds. Colors. Always something different, new, unexpected. Or just what you were looking for. Dynamic. In flux.
The challenge of finding beauty right here, right now. In everything. Every day. And in everyone. Finding connection. The good stuff. Let the bad shit go. Really. Why do we focus on that stuff? That’s not what I’m taking pictures of.

What is the good stuff?
When I look closely, it’s all good. Or maybe it just is. No judgment. Just seeing. Challenging myself to find inherent beauty in whatever is before me. Last years rotted leaves. A morel poking through crushed needles. Shooting star blossoms leaning heavy in the rain. A fallen branch covered with old mans beard. A scattering of iridescent feathers from a dead blue jay. The tiny globe of a universe within every iris if you look someone deeply in their eyes.
I think of the phrase (and book title) coined by the remarkable writer, Terry Tempest Williams: “Finding Beauty in a Broken World”
I don’t think our world is broken. Just a little cracked.
Ever seen Raku pottery with its cracked glaze finish? Or what about Kintsugi, the Japanese art form of repairing broken pottery with gold? It’s more than making shattered dishes whole again. It’s making them exquisite.
It’s about finding beauty not in spite of but because of those flaws.
It’s all about the beauty in being at least a little broken. Imperfection.
Why do we still believe in the perfection myth? Perfection of person, place, relationships, self, what we’re seeing, feeling, the natural world. Most of it is beautiful. None of it is perfect. Unless we embrace the perfection of imperfections.
Looking through the lens reminds me to see. All of it. Flaws. Defects. Scars. Fractures and faults.
Looking for beauty helps heal the cracks. Holds the scattered pieces together. Heals the broken parts.
This camera encourages me to look closely. That’s where beauty resides. In all those crazy wild wonderful imperfections.
So I look.
And I see it’s been there all along.

The gradual unfurling of damp wings has only begun.
Wet and shiny in diffused morning light
no different than that of the nearly
twenty thousand mornings before this one
and yet so different than even yesterday.

Until next time.
With love, always love,
Gin












